Wednesday, 27 August 2014
slight ego bruise of this morning) to receive my copy of the Luerzer's Archive 200 Best Illustrators Worldwide 2014-5 book with a double page spread of MY work in it!!! SO honoured to be included with such a variety of talented people from around the globe.
Lilla Rogers is a US based illustration agency which holds an annual global talent search competition. After reading about it in Uppercase Magazine, I decided to enter. There are three elimination rounds. The theme of the first was 'terrarium'. Despite my increasing enjoyment of plants and my monthly Gardening Australia illustration assignment, I groaned when I read 'terrarium', because choosing something so blatantly 'in' implied that what they were searching for was something extremely commercial. 'Mass market' even, if I may lapse back into fashion industry speak for a moment.
Feeling that I was probably doomed from the start, I tried to subvert the theme a little, without taking it too far. But I had a lot of trouble with the sketches, and that's generally a bad sign (not always though, a world of pain at sketch time can occasionally turn around too -- I would love to hear some opinions on that one).
(Sorry, these photos are in the wrong order -- damned Blogger.) I painted the background in first. The dark acrylic paint that I chose was an annoyingly translucent one, which didn't help my attempt at a professional finish.
Overall, it took way too long to complete. But I am actually kind of happy with how it turned out, although surprised at how kids-y it looks too. I had imagined it as something that teens might like, but in retrospect it's definitely for the smaller ones. I prefer the close-up above, and in retrospect it might have been more interesting to just show the interior of the terrarium (as some smart entrants did), rather than the entire object.
Needless to mention, I have not made it to round two.
Sunday, 24 August 2014
Tom Polo last Saturday. Spring 1883 at The Windsor was such a treat!
Etsy shop next week (please note that some are already on hold).
Craft Victoria will finish at the end of Tuesday August 26, a week earlier than was originally advertised. Most unsold items will still be available through the Shop.
Have a fine Sunday!
Sunday, 17 August 2014
Hello! Please excuse this bad photo of this month's Gardening Australia magazine. I sneakily took it at Mag Nation. Frustratingly, the subscription hasn't arrived yet.
They were both cut out in Photoshop and then he was superimposed.
Monday, 11 August 2014
Etsy shop. They are A4, therefore 3/4 of the size of the original portraits which were featured in The Design Files Open House last year. They're printed on a beautiful French textured paper, weighing around 270 gsm.
Saturday, 9 August 2014
Frankie magazine for an article about bedside tables. Five illustrators were asked to draw a picture of their own table, and answer a few questions. I was very honoured to be included among Anna Blandford, Dawn Tan, Caitlin Shearer and the marvellous Aiko Fukawa. Warning: my written response is a bit gross. You will have to read the article to find out why.
I am fortunate to have two windows showcasing my work at Craft Victoria until September 2. If you read my previous post, I mentioned that I had a few regrets regarding my display. I really, really wish that I had made the left window above look more obviously like a bedroom. I might have designed a special wallpaper, put up a nice candle sconce, maybe even had a glass of water by the 'bed'. But I didn't. And so I have to rely on the work itself to make the window engaging. But I have been looking at the work for so long that I can't tell whether it is engaging anymore.
Friday, 1 August 2014
My two windows at Craft Victoria are up! Here is PART of one of them, above. Thank you so so so so much to Anita Cummins and Wanda, who worked so hard into the night getting everything into the window precisely in the way that this fussy (and -- ahem -- somewhat unprepared) person wanted it. Great ideas, skills, dedication and patience.
I don't know how they find these amazing women who work at Craft Victoria, but our lives are absolutely the better for it.
I must admit that I went to bed last night thinking: people might be looking at my work RIGHT NOW. It's there for all to see RIGHT NOW. And tomorrow, and the day after, and the day after....YIKES!!....it freaked me out a little.
Above: here is an introduction to my work, as it appeared in the email sent to Craft members yesterday. I am not sure who wrote this, but I love it! Why is it that I have a degree in art history yet I am completely paralysed when it comes to writing about my own work?! I read the above and was shocked by how beyond-spot-on it was. Whoever wrote it (Anita?!): thank you!
Sandra Eterovic's distinctly acerbic brand of darkly confessional humour is painted, printed, knitted and stitched into a domestic bedroom scene. Sandra deftly illustrates the absurdity, cynicism and raw power of intimate relations in works that include oversized hand delving Y-fronts, odd socks, faux fires and delicately embroidered Stay or Go? pillowcases. Bed Strange Fellows is currently available for viewing around the clock in the Craft Window Space until 2 September 2014.
I will post photos of the other window, which shows the 'bedroom scene' as soon as the weather is decent enough for me to take a photo....not today. I will also tell you what I regret not including in that bedroom scene. You live and learn.
Tuesday, 29 July 2014
Mikey Relaxing, one of the bigger pieces I am making for the Craft Victoria window, in progress, above. I found embroidering the hand rather enjoyable, in a giggly-twelve-year-old kind of way.
Above: a cushion that I made some time ago, relaxing as well.
Above: a small detail from an illustration that I completed last week. I couldn't resist showing you this little fellow, even though I think I smudged him a little on the scanner. Oops.
Wednesday, 23 July 2014
Really happy to be able to show little details from a couple of portraits that I finished painting last week. Gorgeous kids and the loveliest mum, who was very patient with me as I worked on these in between other things. They are currently en route to their new home.
Tuesday, 22 July 2014
The 'Under the Couch' fabric print which was initially printed in navy for my patchwork quilt, also looks quite nice in green. Above: giant cushion for my Bed Strange Fellows window at Craft Victoria, starting next week.
Friday, 18 July 2014
A little textile-y section of my hallway, photographed during its five daily minutes of brightness. (Actually the quilt on the left was only there as it was drying over the heater.)
I wish I owned this outfit. I wish it was warm enough in Melbourne to wear it. (I am actually wearing mittens while I write.) Carina magazine, 1981.
My ceramic would-be Apple Man lost an arm this week. I wish I cared. Why do I keep breaking things and not caring? I never used to be like this!
More loveliness from an early 80s Burda magazine.
Craft Victoria window!! (Almost a metre wide.) I think she's pretty funny. Tick! I love making lists, and I love crossing things off them even more....
Another item for the Craft window....Mikey Relaxing. I am embroidering Mikey in a relaxed fashion, on account of still having a somewhat dodgy back. Lots of hairs on his legs to go, though. And the all important hand down his pants. Dying to embroider that!!
Sunday, 13 July 2014
My acrylic on plywood illustration for Gardening Australia magazine, August 2014. This month Michael McCoy writes about the incredible feeling of being completely submerged under the green canopy of an enormous old oak tree.
Wednesday, 9 July 2014
Sunday, 6 July 2014
Mikey Relaxing: the last of the cushion-like-objects to be made (phew). He has now actually been cut out, and is waiting at the kitchen table for my embroidery needle to attack him. However when this photo was taken in the studio above he was still reminding me every time I looked out the window that I hadn't even begun to think about him. Poor Mikey. Saving the best til last?